plusMENÜ
Infobutton
german | english

COMPENDIUM

line

ESSAYS

line

MISC.

line
  • historic
  • Abstract Film
  • Animation
  • Architecture
  • Expanded Cinema
  • Color Organs
  • Film Score
  • Games
  • Gesamtkunstwerk
  • Graphic Notation
  • Interactive Art
  • Sound art
  • ArtistMusician
  • Light Shows
  • Literature
  • Live Visuals
  • Painting
  • Music
  • Musical Theater
  • Music Video
  • Performance Art
  • Software Art
  • Sonification
  • Sound Design
  • Dance
  • Dance Film
  • Video
26 Topics in Compendium
  • systematic
  • Audiovisual Perception
  • Color-Sound-Analogies
  • Conceptual Correlations
  • Montage
  • Parameter-Mapping
  • Structural Analogy
  • Synchronization
  • Synesthesia
  • Transformation
9 Topics in Compendium
  • Introduction to the compendium
  • Introduction to the essays
  • Hybrids at the Interface of Sound and Vision
  • Separation and Conjunction
  • Deaf Dumb Mute Blind
  • The Expanded Image
  • Between the Poles of Mickey Mousing and Counterpoint
  • Sound and Image Worlds in Pop Music
  • Audiovisual Interactive Art
  • On Hearing Eyes and Seeing Ears
  • The Question of Thresholds
  • Audition and Ergo-Audition
  • 12 Essays in Archive

EXHIBITION

line
  • SEE THIS SOUND
  • Promises of Music for the Eye
  • Unreconciled
  • Borderline Art
  • New Modes of Perception
  • Come Together—Let’s Dance
  • Site.Sound.Industry
  • Audiovisual Experiments
  • Background Noises—Institutional Sounds
8 Areas in the Exhibition
  • Workindex
  • Personindex
  • Socialbodies
  •  
  • About See This Sound
  • About the Web archive
  • Symposium
  • publications
  • Sitemap
Stslettering
Compendium
home
AbstractVerticalseparatorMaintextVerticalseparatorLiterature
Textindex Textindex
 

Color–Tone Analogies

by Jörg Jewanski
List of books in this text
Ars magna lucis et umbrae (1646)
Kircher, Athanasius
Die Harmonie der Sphären: Die Geschichte der Idee des Welteneinklangs und der Seeleneinstimmung (1981)
Schavernoch, Hans

previously read texts
  • Color–Tone Analogies
  • Graphic Notation and Musical Graphics
  • Gesamtkunstwerk
  • undefined
  • The Film Score
  • Color Organs
  • Expanded Cinema
  • Architecture and Music
  • Sound in Animation
  • Absolute Film
Print TextPrinter
 
Timelines:1610 until today
Workdescriptions from other texts
Small

Colour(s) Piano

test
Infotop Information about See This SoundVerticalseparatorHomeVerticalseparatorIndexVerticalseparatorConceptVerticalseparatorSitemapVerticalseparatorPrivacy PolicyVerticalseparatorLegal Info (Impressum)
HGB LogoLbi Logo
In cooperation with
Lentos Footer
Linz09 Footer
 
Tindexcornertop
List of all Relations in this Text
SCHLIESSEN Closebutton

«Color–Tone Analogies»
Works
People
Aguilon François d' (Chap. 4, 3), Aristoteles (Chap. 4, 2, 3), Castel Louis-Bertrand (Chap. 4), Cureau de la Chambre Marin (Chap. 2), Helmholtz Hermann von (Chap. 6), Kircher Athanasius (Chap. 1, 3, 4), Krüger Johann Gottlob (Chap. 4), Newton Isaac (Chap. 3, 4, 5), Ortous de Mairan Jean Jacques d' (Chap. 6), Rameau Jean-Philippe (Chap. 4), Sauveur Joseph (Chap. 4)
Socialbodies
International Astronomical Union (Chap. 6)
Mentioned
Colour Piano (Chap. 4), Colour(s) Piano (Chap. 4), Opticks (Chap. 3)
Keywords
Intermodale Analogie (Chap. 1), Materialität (Chap. 4), Polysensualität (Chap. 2), Proportionstheorie (Chap. 3, 5), Pythagoreismus / Universelle Harmonie (Chap. 1, 2, 3)
Timespans
– 1650, – 1800, 1610 – 1710, 1720 – 1750, 1720 – 1750, ab 1730

SCHLIESSEN Closebutton
Tindexcornerbottom